《白雪公主后传》与《大话西游》的后现代女性主义对比  

Snow White and A Chinese Odyssey Postmodern Feminist Comparative

作　　者：王馥沁[1] 

机构地区：[1]江苏大学京江学院,江苏镇江212013

出　　处：《吉林省教育学院学报》2017年第9期157-159,共3页Journal of Jilin Provincial Institute of Education

摘　　要：《白雪公主后传》是美国文学大师巴塞尔姆最重要的作品。在大师笔下,白雪公主成为普通女性,有着自己的情感和欲望。作家用碎片式的语言表达出对社会的一种玩世不恭的讥诮,反映当代人滑稽无奈的众生相。《大话西游》被称为是表现后现代主义的经典影片,电影中通过不断颠覆传统意义上的各种道德和行为,让女性主义的体现在影片中也逐渐转向后现代,这在塑造女性形象时与《白雪公主》有异曲同工之妙,本文通过对比二者在塑造女性时体现的后现代女性主义中,分析其特征,以期对后现代女性主义有更深一层的了解。Snow White is Barthelme’s most important work, which became an ordinary woman with her own feelings and desires. With fragmented language, the writer reflects a kind of cynicism to society and contemporary people’s funny and helpless life.While, A Chinese Odyssey is reckoned to be the classic postmodernism film. In the film, by constantly subverting the traditional ethics and behavior, the embodiment of feminism also gradually turned to post modern, which is similar to Snow White. In this paper,through the comparison of women in shaping the embodiment of postmodern feminism and the analysis of its characteristics, the author aims to have a deeper understanding of postmodern feminism.

关 键 词：《白雪公主后传》 《大话西游》 后现代女性主义 

分 类 号：H315[语言文字—英语]