舞蹈与民族精神——以朝鲜民族黄昌舞为例  

Dance and National Spirit: Based on Korean National Dance Huangchang

作　　者：王国彪[1] 

机构地区：[1]曲阜师范大学文学院,副教授曲阜273165

出　　处：《世界民族》2017年第5期101-110,共10页Journal of World Peoples Studies

基　　金：作者主持的国家社科基金项目<<论语>与朝鲜半岛古代文化研究>(项目号:12CZW025);孔子与山东文化强省战略协同创新中心科研创新项目<<论语>在古代朝鲜半岛的传播与影响>(项目号:KZXT03YB13)的阶段性成果

摘　　要：黄昌舞是朝鲜半岛传统的一种假面舞,起源于新罗时期,是朝鲜民族古代剑舞的起源。本文借助朝鲜半岛古代汉籍,以诗文为基础,对黄昌舞的起源及发展进行考辨,对其舞蹈形式、演出场景及艺术价值、地位进行了详细探讨,进而挖掘了其所承载的民族精神。黄昌舞及其故事原型是朝鲜民族发展历程的一个缩影,体现了朝鲜民族崇尚儒家思想、不屈不挠、能歌善舞的民族性格。Huangchang Dance is a traditional Masquerade of the Korean Peninsula that originated from the era of Silla. It is the origin of the Korean Sword Dance. This paper draws evidence from ancient Chinese texts found on the Korean Peninsula. Based on the poetry and prose recorded in the textual evidence, the author has examined the origin and development of Huangchang Dance, discussed in detail its dance form, scenes, artistic value and status, and analyzed in depth the national spirit that it represents. Huangchang Dance and its story prototype are the microcosm of the development of the Korean nationality. They reflect Korea＇ s national character of upholding Confucianism, perseverance, and self-expression through singing and dancing.

关 键 词：黄昌舞 朝鲜半岛 假面舞 剑舞乐府诗 民族精神 

分 类 号：C955[社会学—民族学] J732.2[艺术—舞蹈]