论“静观”与“唐宋互参”之间的理论渊源——从苏轼到査慎行  

On the Theoretical Origins betw een “View of Quietness” and “Mutual Reference of Tang Poetry and Song Poetry”:From Su Shi to Zha Shenxing

作　　者：张金明[1] 

机构地区：[1]燕山大学文法学院,河北秦皇岛066004

出　　处：《燕山大学学报（哲学社会科学版）》2017年第5期37-41,48,共6页Journal of Yanshan University:Philosophy and Social Science

摘　　要：苏轼的"静观"论融合了佛禅、道家与儒家思想的多重基因,既重视创作主体与外界隔绝的沉思冥想,又重视主体心灵与外界的感应兴发,两者并存互补,相辅相成。在这方面,苏轼的理论和创作都有出色的表现,并且深刻地影响了清代著名诗人查慎行。在査慎行看来,这个"静观"论是超越或沟通唐音宋派的,因而可以作为他所宣扬、倡导的"唐宋互参"诗歌理论的基点之一,从而也使他的诗歌创作典型地体现了清诗折中于唐、宋而偏向于宋的集大成的性质。Su Shi＇s ＂viewof quietness＂integrates the multiple genes of Buddhism,Taoism and Confucianism,paying attention not only to the subject＇s meditation but also to the subject＇s sensation. The two coexist and complement each other. In this regard,Su Shi＇s theory and works performed well,and profoundly affected Zha Shenxing,a famous poet in Qing Dynasty. In the viewof Zha,this＂viewof quietness＂transcended or communicated with the ＂Tang Poetry and Song Poetry ＂,and thus can be used as one of the basic point of his poetry theory on ＂Mutual Reference of Tang Poetry and Song Poetry ＂he advocated,and thus making his poetry creation typically embody the nature of the poems in the Tang Dynasty and the Song Dynasty,but his poem creation style is partial to that of the Song Dynasty.

关 键 词：“静观” “唐宋互参” 苏轼 查慎行 

分 类 号：I206[文学—中国文学]