从“降魔成道”到“驱邪祈福”——成都蒲江、邛崃唐代触地印如来造像考  

From "Subduing Demons" to "driving out Evil and Bless"——Textual research on Bhumyakramana-MudraBuddhastatues of the Tang Dynasty in Pujiang and Qionglai of Chengdu

作　　者：卢丁[1] 

机构地区：[1]四川大学艺术学院,四川成都610041

出　　处：《南京艺术学院学报（美术与设计）》2017年第5期1-5,共5页Journal of Nanjing Arts Institute:Fine Arts & Design

摘　　要：现存初唐-盛唐时期成都地区周边佛教造像中,常见"降魔成道"题材。由于隋唐成都大型寺院工巧稿本资料缺乏,学者在考证"降魔成道"范本的来源时,多依据长安文化中心的相关记载,产生了一些误读与争议。本文以成都周边地区发现的"成道"为主题的造像为切入点,探究成都周边宝冠触地印如来造像源流及内涵寓意。Among the existing Buddhist statues of the Tang Dynasty in the area surrounding Chengdu, the theme of 'Subduing Demonsand find Taoism' was common. Because it is short of historical template manuscripts of large temples in Chengdu in Sui and Tang, researchershave donetextual research about the source of the records of 'Subduing Demons and find Taoism' mostly on the basis of the records of the Chang'an cultural center, and have produced some misunderstandings and controversies. In this paper, the research starts from statues of theme of 'finding Taoism' in areas surrounding Chengdu,and exploresthe origin and implication of Bhumyakramana-MudraBuddha statues surrounding Chengdu.

关 键 词：降魔成道 触地印如来 成都周边地区 唐代 

分 类 号：J309[艺术—美术]