社会变迁背景下蒙汉调民歌的发展走向  

The Development Trend of Mongolian and Chinese Folk Songs under the Background of Social Change

作　　者：于力音[1] 刘洋[2] 

机构地区：[1]长安大学文学艺术与传播学院,陕西西安710064 [2]陕西师范大学音乐学院,陕西西安710100

出　　处：《贵州民族研究》2017年第9期98-101,共4页Guizhou Ethnic Studies

基　　金：2013年陕西省教育科学规划课题"艺术院校音乐专业‘声乐艺术指导方向’人才培养综合改革与实践研究"(项目编号:SGH13067)

摘　　要：蒙汉调民歌在鄂尔多斯蒙古族短调的基础上添了汉词,是蒙、汉两族劳动人民,在长期的共同生活和生产劳动中共同创造的,具有独特的民族音乐文化的融合特点。在社会变迁背景下,受历史环境和社会生活等因素的影响,蒙汉调民歌的名称、表演形式、传承方式等都发生了改变,极大地促进了蒙汉两族的文化融合,开始从地方性向普遍性转型,从传统型向现代型转型,从多样性向标准化、从多元性向一元性转型,从稳定性向开放性转型,从自在状态向人为状态转型。menghandiao folk songs add Chinese words based on Ordos Mongolian short tune, Mongolian and Han nationality is two people, work together to create a common life and productive labor in the long-term integration of the unique characteristics of the folk music culture. In the background of social transformation, the influence of historical environment and social life and other factors, the name of menghandiao, folk performances, inheritance mode has changed, has greatly promoted the cultural integration of Mongolian and Han nationality two, start from the local to the universality of the transition, the transition from traditional to modem, from multiplicity to standardization, from multiple aptitude unitary transformation from stability to open transition, the transition from free state to the human condition.

关 键 词：社会变迁 蒙汉调民歌 蒙古族短调 

分 类 号：J607[艺术—音乐]