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作 者:李琦[1]
机构地区:[1]中国海洋大学文学与新闻传播学院,山东青岛266100
出 处:《昆明学院学报》2017年第5期14-18,共5页Journal of Kunming University
摘 要:"幽默儿童文学"似乎已然成为秦文君的创作标签,然而她在20世纪80年代以《少女罗薇》为代表的创作中显示出的却是另一种面向。无疑,从"罗薇"时代到"贾里"时代,秦文君经历了其创作生涯的第一次转型,但对于秦文君在创作中如何实现这种转型的研究却仍旧不足。因此,从叙事学视角及作家创作观等方面来把握其"幽默儿童文学"的转型,对于透视转型背后的文学史价值提供了一种新的尝试。"Humorous children's literature^ seems to have become the creative label of Qin Wenjun; however, in the 1980s, she repre-sented in the opposite creation of Girl Siseley, which was a representative. Undoubtedly, from the "Siseley" era to the "Jiali" era, Qin wenjun has experienced the first transformation of his creative career, but little is found for the research on his transformative creation. Therefore, the understanding for his transformation of “humorous children's literature” from the perspectives of narratology and creation is the attempt for the literary historical values from the transformation itself.
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