跋涉中的选择——面对现代艺术的中国当代陶艺  

The choice while treking——In the face of modern art of China's contemporary pottery art

作　　者：姜波[1] 

机构地区：[1]郑州轻工业学院艺术设计学院,河南郑州450002

出　　处：《郑州轻工业学院学报（社会科学版）》2002年第3期66-68,共3页Journal of Zhengzhou University of Light Industry：Social Science Edition

摘　　要：中国当代陶艺起始于20世纪80年代中期的新文化启蒙运动,它的“反叛意识”为中国当代陶艺进入90年代末期的后现代主义观念的发展,提供了无限的可能性。中国当代陶艺的发生和发展包容了强盛的根土意识,并且成为现代艺术的有力载体。它的媒介状态具有强烈的现代主义艺术品格,在全球性文化的背景中,中国当代陶艺着力架构和诠释出对当代艺术的批判和文化语境。China contemporary pottery began with new culture illumination movement in the middle of 1980s.Its rebellion conscience afforded unlimited possibility for China contemporary pottery enteriny the end of 1990s' back modernism development.China contemporary pottery's emergency and development contained strong mo-tivity of soil consciousness of root and bore the weight of body or modern art. Its state of ministry had strong mordern art style. Under the background of globalization culture, China contemportary pottery mainly supported and illustrated the rebellion and culture surrounding to the contemporary art.

关 键 词：中国 当代 陶瓷 现代艺术 文化转型 后现代主义 根土文化 

分 类 号：J314.8[艺术—美术]