九七回归后王家卫电影中的时空观——以回归后十年间的王家卫影片为例  

Time and Space in Karwai Wong's Movie after the Reunification in 1997:On Karwai Wong's Films during the 10 Years after the Handover of Hong Kong

作　　者：侯东晓[1] 

机构地区：[1]曲阜师范大学文学院,山东曲阜273165

出　　处：《阴山学刊》2017年第5期60-63,共4页Yinshan Academic Journal

摘　　要：九七回归深刻地影响着回归前后的香港电影,王家卫也不例外。他是一个对时间和空间非常敏感的导演。他的电影中总是将记忆与忘记、拒绝与被拒绝、历史与现实、孤独与冷漠作为主要命题。九七回归的烙印深深地根植于王家卫的影像当中,其对时间和空间的处理的痴迷,构成了他独特的电影风格,也是他以时空形式挖掘香港人真实的精神处境所做的影视探索。1997 Handover profoundly impacted Hong Kong films,and Karwai Wong was no exception. He is a director who is very sensitive to time and space. Remembering and forgeting,refusing and being refused,history and reality,solitude and indifference were the main propositions in his films. 1997 Handover deeply rooted in Karwai Wong＇s images. The obsession on time and space has become Karwai Wong＇s unique film style,and Karwai Wong is also trying to tap the space-time in the form of film and television to explore the true spirit of Hong Kong people.

关 键 词：王家卫 电影 时间 空间 真实 

分 类 号：I207.351[文学—中国文学]