乔治·赫伯特玄学诗歌的巴罗克风格研究  

Study of the Baroque Style of George Herbert's Metaphysical Poetry

作　　者：王卓[1] 

机构地区：[1]阜阳师范学院信息工程学院,安徽阜阳236041

出　　处：《重庆工商大学学报（社会科学版）》2017年第6期103-108,共6页Journal of Chongqing Technology and Business University：Social Science Edition

基　　金：安徽省教育厅人文社科研究重点项目(SK2016A0711)"英国玄学诗歌的巴罗克风格研究";安徽省哲学社会科学规划一般项目(AHSKY2017D74)"17世纪英国玄学诗歌的中国文化精神研究"

摘　　要：17世纪英国玄学诗歌属于巴罗克文学范畴,是英国文化的重要组成部分。对英国玄学诗歌的思想内涵、艺术风格的研究对于丰富英国巴罗克文学、促进英国文化在世界范围内的广泛传播具有重要意义。乔治·赫伯特是英国玄学派诗歌的重要代表,以宗教抒情诗歌的创作而著称。在巴罗克文化语境下考察赫伯特的艺术风格和诗学思想有助于全面、多维度理解赫伯特的诗歌内涵与独特艺术魅力,对整个英国巴罗克文化的把握也具有重要作用。17 th-century English metaphysical poetry belongs to the category of Baroque literature and is an important part of English culture. Study of the ideological content and artistic style of English metaphysical poetry is of great significance to enriching English Baroque literature and promoting the worldwide spread of English culture. George Herbert is an important representative of British metaphysical poetry,famous for religious lyrics. A study of Herbert’s artistic style and poetic thoughts in the cultural context of Baroque contributes to a comprehensive and multi-dimensional understanding of the connotation and unique artistic charm of Herbert’s religious poetry. It also plays an important role in the understanding of the British Baroque culture.

关 键 词：赫伯特 玄学诗歌 巴罗克风格 视觉化 形式 色彩 

分 类 号：I561.072[文学—其他各国文学]