莱辛《野草在歌唱》中的后人道主义思想探析  

Post-humanism in Doris Lessing's The Grass is Singing

作　　者：吴志梅 

机构地区：[1]铜陵学院外国语学院,安徽铜陵244061

出　　处：《景德镇学院学报》2017年第5期45-49,共5页Journal of JingDeZhen University

摘　　要：莱辛的处女作《野草在歌唱》是对人类行为和人类关系的深刻思考,体现了莱辛的后人道主义思想。小说描写了在殖民统治和种族隔离制度下南部非洲的荒原景象——自然荒原和精神荒原,旨在反思人类对大自然的破坏及人与人之间的异化关系,从而积极倡导后人道主义的生存方式。In The Grass is Singing, Doris Lessing reflects human behavior and human relations and expresss her anxiety about human destiny in the future. The novel depicts both the natural wasteland and spiritual wasteland under the colonial rule and racial segregation. Lessing aims to reflect nature damages brought by human and the alienation between human beings. Thus she advocats a kind of post-humanistic style of existence.

关 键 词：后人道主义 自然之殇 异化之殇 

分 类 号：I106.2[文学—世界文学]