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作 者:茅慧[1]
机构地区:[1]中国艺术研究院舞蹈研究所
出 处:《民族艺术研究》2017年第5期149-156,共8页Ethnic Art Studies
摘 要:新时期初期,舞蹈界从被"极左"错误文化路线的严重禁锢、破坏和混淆中获得解放,全方位地温故知新、放眼八方,一方面回顾和整理,清理家珍;一方面承担起面向未来的艺术责任和观望世界舞蹈的纷纭呈现,多思勤辩。这一时期的舞蹈思想方面,出现过"舞蹈要有舞蹈""舞蹈观念更新"等重大问题的探讨,这些理论命题都是在新时期起始阶段必然遭遇和亟待解决的问题,其激进、活跃、群体化的呈现方式充分反映出了这一时期思想解放、寻求突破的舞蹈艺术的时代特征。During the early period of the new era,dance was liberated from the limitation,destroy,and confusion caused by the"extreme-left"wrong cultural idea. Fortunately,it was able to learn from the past and open its eyes to the world. On one hand,it needed to retrospect and sort out the history; on the other hand,it is necessary to shoulder the art responsibility for the future while observing and reflecting the emerging trends of the dance in the world. Several discussions appeared on the key issues in regard to the dance ideas at that time,such as "dance should be in dance"and "renovation of dance concept". All these theoretical propositions are inevitable issues that needed to be addressed in the initial stage of the new era. The active,dynamic,and collective interpretative measures reflect the characteristics of the times of the dance art which seek to liberate ideas and to break through.
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