中国古代漆器工艺在江南太湖流域的发展--以苏州漆工艺为例  

The Development of Ancient Chinese Lacquer Technology in the Taihu Lake Area of the Jiangnan Region:The Case of Suzhou Lacquer Art

作　　者：刘芳芳 田汉民[3] 

机构地区：[1]南京大学历史学院考古文物系,江苏南京210023 [2]苏州市考古研究所 [3]河北工业大学,天津300401

出　　处：《民族艺术研究》2017年第5期177-185,共9页Ethnic Art Studies

基　　金：2016年国家社会科学基金艺术学项目“江淮地区出土汉代漆器的考古学研究”(批准号:16BKG016)的阶段性成果~~

摘　　要：漆器是我国一种古老而优秀的传统手工艺产品。考古资料表明,以苏州为中心的江南太湖地区是我国古代漆艺的重要发源地之一。苏州漆艺滥觞于新石器时代;历经汉唐、五代、两宋持续发展;明清时期,苏州已经成为贡御雕漆器的重要产地。雍正至乾隆朝,苏州织造承担了贡御漆器如雕漆、脱胎漆器及少量彩漆、仿洋漆器皿的制造与改做工作。苏州漆器制作常与金银工艺、琢玉工艺相结合,佳作纷呈。清末,国势衰颓,雕漆等重要工艺门类也逐渐凋零。太平军攻陷苏州后,苏州雕漆彻底停产。Lacquerware is an old and excellent traditional handicraft in China. According to archaeological evidence,the Taihu Lake area of the Jiangnan region,in which Suzhou is the centre,is one of the origins of Chinese ancient lacquer techniques. Suzhou lacquer techniques initiated in Neolithic times,developed in Han-Tang,the Five Dynasties and two Song Dynasties. Until the Ming and Qing Dynasties,Suzhou has become an important production area of the royal carving lacquerwares. During Yongzheng and Qianlong period,Suzhou produced royal works of carving lacquerwares,bodiless lacquerwares and small number of painted lacquerwares and Western-style lacquerwares. Suzhou lacquer technique usually cooperated with gold and silver craft and jade carving craft so that many masterpieces were made. During the late Qing Dynasty,however,lacquer techniques and other important handicrafts declined due to the declining national power.Finally Suzhou lacquer industry was suspended when the Taiping Army conquered Suzhou.

关 键 词：中国古代 苏州 漆器 制作工艺 

分 类 号：J509[艺术—艺术设计]