胡人乐舞与尚情思潮  

Music of Hu people and Trend of esthetic sentiment

作　　者：周晶[1] 

机构地区：[1]兰州交通大学艺术设计学院,甘肃兰州730070

出　　处：《兰州交通大学学报》2017年第5期20-23,共4页Journal of Lanzhou Jiaotong University

摘　　要：伴随着胡人乐舞西来并风靡于中原,东汉儒学思想控制下的乐教理论权威逐步削弱并瓦解,士人的个体意识开始苏醒。崇尚回归人性本真、自由表达个人情感,逐渐成为社会主流思潮。胡人乐舞以其频繁的节奏变化、大幅的抑扬、新靡绝丽的异域风情、自由释放的悲喜之声,正好契合了这一思想追求,因而深受人们的推崇和喜爱。这种以胡乐为引领者的尚情思潮渗透于中国汉唐以来如文学、戏剧、餐饮等社会文化生活的各个领域,成为民族融合的主要驱动因素。As Music and dance of Hu people was introduced from the west and became popular in Central Plains,the theory of music education authority under the control of Eastern Han dynasty Confucianism was gradually weakened and disintegrated,and the individual consciousness of the scholars began to wake up.Advocating the return to human nature,freedom to express personal emotion,has gradually become the mainstream trend of the society.Hu’s music and dance with its frequent tempo changes,a sharp rise and fall,the new bonding unique different region amorous feelings,the voice of the free release of emotion,just agree with the ideological pursuit,so respected and loved by people.This trend of esthetic sentiment,which is guided by Hu’s music and dance,permeates in Chinese since the Han and Tang Dynasties such as literature,drama,catering and other fields of social and cultural life,and becomes the main driving factor of national integration.

关 键 词：胡人乐舞 尚情思潮 

分 类 号：J60-052[艺术—音乐]