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作 者:邵亮[1,2] Shao Liang
机构地区:[1]天津美术学院艺术与人文学院 [2]天津美术学院学报
出 处:《天津美术学院学报》2016年第7期91-97,共7页Northern Art:Journal of Tianjin Academy of Fine Arts
摘 要:2016年6月18日,"七零七零——当代中国画70后艺术家提名展"在中国政协文史馆开幕。本次展览是中国政协文史馆继年初"八零八零——当代中国画80后艺术家提名展"之后,再一次举办有关当代中青年艺术的重要展事。作为一位"七零后"的艺术观察者,作者很荣幸地再次作为活动的开幕式嘉宾,在这次活动上,发表了一些有关七零后艺术,尤其是水墨艺术的一些看法,并在活动后整理为此篇短文。On June 18, 2016, “70 and 70 --Nomination Exhibition of Contemporary Chinese Painting Artists Born in the 1970s” opened at the Research Institute of Culture and History of the CPPCC. It is another important exhibition concerning contemporary young and middle-aged artists held in this Research Institute of Culture and History, following the “80 and 80 --Nomination Exhibition of Contemporary Chinese Painting Artists Born in the 1980s” at the beginning of the year. As an art observer born in the “1970s”, the author had the honor of attending the opening ceremony as a special guest once again, and shared some opinions on the art, especially the ink painting art, of the artists born in the 1970s, on the basis of which this article was written after the event.
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