论剧场艺术体验与大众审美教育  

Theatrical Artistic Experience and Aesthetic Education of the Public

作　　者：徐璐[1] 

机构地区：[1]武汉大学哲学学院,武汉430072

出　　处：《文化艺术研究》2017年第3期88-94,共7页Studies in Culture and Art

摘　　要：剧场是戏剧表演的场所,剧场艺术体验是一种具有综合性、场所性、集体性和及时反馈性的艺术体验。大众走进剧场后,便成为了演员或观众。演员与演员之间、演员与观众之间、观众与观众之间皆有情绪上的交互反馈,这三组反馈关系使剧场艺术体验自律地进行。剧场艺术体验不是生活的奢侈品,它是大众生活的必需品,它是大众审美教育的有力工具。大众在剧场艺术体验中,可获得对真理的认知,可激起对生命的关怀,实现理性精神与仁爱精神的完善,从而走向人的完善。Theatrical artistic experience is comprehensive, collective and immediate, and must take place in the theatre. There are three kinds of emotional interactions in the theatre： between actors and actors, between actors and audience, and between audience and audience. These emotional interactions make the aesthetic autonomy of theatrical artistic experience. Theatrical artistic experience is not a luxury but a necessity of life. It is an ideal way of aesthetic education. The public could gain a better understanding of truth and life, nurture rationality and benevolence, and thus perfect themselves.

关 键 词：剧场 艺术体验 自律原则 审美教育 人的完善 

分 类 号：J802[艺术—戏剧戏曲]