看吧,“我们”的这个世界——伯恩哈德《声音模仿者》与墨白《癫狂艺术家》比较研究  

Look,the World in Which We are Living——A Comparative Study of Bernhard's Voice Imitator and Mo Bai's Mad Artist

作　　者：杨文臣[1] 

机构地区：[1]信阳师范学院文学院,河南信阳464000

出　　处：《中州大学学报》2017年第5期22-26,共5页Journal of Zhongzhou University

摘　　要：墨白的《癫狂艺术家》和伯恩哈德的《声音模仿者》都以"我们"为叙述者,用"止于表面"的讲述,把世人司空见惯的世界撕开一个缺口,极致地呈现出这个世界的荒诞和残酷。不同于伯恩哈德大量使用夸张、变形等现代主义手法,墨白在《癫狂艺术家》中采用了写实风格,因为那些罪恶、苦难和荒诞,就真实地在我们这片土地上上演过。隐而不察之物,需要艺术的照鉴;而对于本就血腥残酷的历史和现实,艺术的介入反而有可能导致弱化。Both Bernhard, s Voice Imitator and Mo Bai, s Maa Artist use uwe” as the narrator, and they usethe “ surface” narrative statement to give fully expression of the absurd and cruel world.extensive use of modernist technique , such as exaggeration and deformation , Mo Bai adopts realistic method in MaaArtist , because the evils , sufferings and absurdities are truly happened on our land. For those hidden cannot be seen , they need to be identified by the art. As for the bloody cruel history and reality , the art of intervention may lead to weakening.

关 键 词：墨白 伯恩哈德 《癫狂艺术家》 《声音模仿者》 

分 类 号：I206[文学—中国文学]