白人主流文化中黑人女性的身份建构——以托妮·莫里森《最蓝的眼睛》为例  

The Identity Construction of Black Women in Mainstream White Culture: Take The Bluest Eye by Toni Morrison as an Example

作　　者：陶芸 郭浩[2] 

机构地区：[1]皖西学院外国语学院,安徽六安237012 [2]安徽广播影视职业技术学院,安徽合肥230000

出　　处：《北京印刷学院学报》2017年第6期183-185,共3页Journal of Beijing Institute of Graphic Communication

基　　金：2017年皖西学院校级人文重点项目"后殖民主义视阈下托尼.莫里森作品中的女性形象研究--以<最蓝的眼睛>为例"(编号:WXZR201714)

摘　　要：托妮·莫里森的处女作《最蓝的眼睛》体现了强烈的政治敏感性,自1969年出版发行以来就受到美国主流文学解的关注。以莫里森为首的黑人女性作家领导了美国黑人文学的第三次高潮。小说通过刻画两个截然不同的黑人家庭——佩克拉一家和克劳蒂亚一家以及几个浅肤色黑人的故事,帮助广大黑人尤其是女性同胞树立正确的审美价值观,在白人文化占统治地位的社会文化中认同并建构自我身份。Toni Morrisan＇s maiden work, The Bluest Eye, shows strong political sensitivity, which has always been the focus of the mainstream literature in the United States since it was published in 1969. The black female writers headed by Morrison led the third climax of American Black Literature. The novel depicted the story of two distinct black families - the family of Crabbe and the Claudia family, and the stories of a few pale black people to help black people, especially the female compatriots, to establish the correct aesthetic values and identify and construct their own identities in the social culture dominated by white culture.

关 键 词：白人文化 黑人女性 身份建构 《最蓝的眼睛》 

分 类 号：I106.4[文学—世界文学]