故事发现自己的声音：珀西瓦尔·埃弗雷特访谈(英文)  

A Story Finds Its Own Voice:An Interview with Percival Everett

作　　者：王玉括[1] 

机构地区：[1]南京邮电大学外国语学院

出　　处：《外国文学研究》2017年第5期1-8,共8页Foreign Literature Studies

摘　　要：珀西瓦尔·埃弗雷特是美国南加州大学杰出教授、作家,创新意识明显,已出版长篇小说、短篇小说、诗歌等作品30部,重要作品有《上帝的国度》(1994)、《图玛》(1999)、《抹除》(2001)、《我不是波迪尔》(2009)、《假设》(2011)和《罗素创作的埃弗雷特》(2013)等。2016年10月1日,王玉括在中国深圳采访了埃弗雷特教授。在此访谈中,珀西瓦尔教授对美国社会的文学再现、美国非裔作家的代表性、不同文本的互文性、作家个体与文学传统之间的关系等问题发表了自己的见解。他质疑广为人们接受的经典性概念以及与种族相关的诸多主题,表现了美国非裔文学的新发展。Percival Everett, an innovative writer, and Distinguished Professor at University of Southern California, has published almost 30 books, including novels, short stories and poems, and the best-known works are： God＇s Country（1994）, Glyph（1999）, Erasure（2001）, I＇m Not Sidney Poitier（2009）, Assumption（2011）, and Percival Everett by Virgil Russell（2013）. On October 1, 2016, Wang Yukuo interviewed Percival Everett in Shenzhen, China, in which Everett commented on the issues of the literal representation of American society, the representativeness of African American writers, the intertextuality of different texts, and the relationship between an individual writer and literary traditions. He not only interrogates the well-accepted notion of canonicity, but also makes fun of various subjects with regard to race, which reveals the new development of African American literature.

关 键 词：珀西瓦尔·埃弗雷特 美国非裔文学 种族 作家 文学传统 

分 类 号：I712.06[文学—其他各国文学]