20世纪影视文学中的“火车”意象与现代性想象  

“Train” Images in the Twentieth Century and the Imagination of Modernity

作　　者：卫华[1] 

机构地区：[1]湖南工业大学文学与新闻传播学院,湖南株洲412007

出　　处：《湖南工业大学学报（社会科学版）》2017年第5期63-67,共5页Journal of Hunan University of Technology(Social Science Edition)

基　　金：国家社会科学基金资助项目"波西米亚反文化运动"(13BWW060)

摘　　要：20世纪东西方影视文学中塑造了许多经典的"火车"意象,其大致可分为两大类型:一类是视之为善的呈现,即将火车作为现代文明的美好想象;另一类则视之为恶的符号,即邪恶的象征物。这种反差十分矛盾,却也很有张力。20世纪影视作品中的"火车"意象,表现了国人面对以"火车"为代表的现代性力量冲击的体悟、对现代化追求的憧憬与焦虑以及对现代文明的复杂想象。There are many classic＂train＂images in the twentieth century. ＂Train＂images in eastern and western movie-television literature of the twentieth Century can be divided into two types： one is as good as the symbol of modern civilization,the good imagination; the other is otherwise regarded as the symbol of evil. This contrast is very contradictory,but also full of tension. From ＂train＂images in the twentieth century,we can see Chinese people＇s collective impact and feeling when they are confronted with the force of modernity,their vision and anxiety in the pursuing of modernization and their complex imagination of modern civilization.

关 键 词：影视文学 火车意象 现代性 火车精神 

分 类 号：J905[艺术—电影电视艺术]