苏轼七言古诗中的对仗艺术——兼论古体诗“律化”的问题  

The Antithesis in Su Shi's Seven-Character Ancient Verse—With a Discussion on the Use of Tonal and Rhyme Patterns in the Ancient Poetry

作　　者：张淘 

机构地区：[1]四川大学文学与新闻学院

出　　处：《四川大学学报（哲学社会科学版）》2017年第6期28-37,共10页Journal of Sichuan University：Philosophy and Social Science Edition

基　　金：2015年度中央高校基本科研业务费研究专项"中日两国对宋代文学的接受"(2082704184036)

摘　　要：古体诗并不要求对仗,苏轼在杜甫的基础上使古体与律诗一样达到了艺术上的审美并重,用韵和句式都越来越接近律诗,这种创作态度与欧阳修趋向保守相比更为大胆。追溯对仗手法在七古中扮演的角色和地位,可以发现苏轼的七古在宋代具有一定的特殊性,这来自他对初唐以及杜诗的继承,尤其是面对可视为其座师的欧阳修继承李白诗风时,他能够开辟新路径,在宋人诗歌当以意为主的观念下发挥自身才华,形成了一种瑰伟绝特的"似律古体诗"。The pre-Tang poetry does not require the use of antithesis. Based on the poems from Du Fu,Su Shi promoted the pre-Tang style to the same high level as lushi, the rhymed poetry. In addition, the rhythms and patterns of Su Shi＇s poetry are very close to those of the lushi. This attitude of creation is much bolder than Ouyang Xiu＇s conservative view. Based on the analysis of the role and status of antithesis techniques in the Seven-Character ancient verses, it can be found that Su Shi＇s Seven-Character ancient verse has certain particularity in the Song Dynasty. Su Shi inherited the style of the poetry of early Tang poets and Du Fu and created a new style, while he found his chief examiner, Ouyang Xiu, inherited the style of Li Bai.Su Shi exerted his talents among poets of Song dynasty focusing on the meaning of the poem, and formed a great and special style that is called ＂ancient poetry similar to lushi＂.

关 键 词：苏轼 七言古诗 对仗 古体诗律化 

分 类 号：I207.22[文学—中国文学]