论新时期文学的男性形象再现与男性气质建构(1976-1989)  

On the Representation of Male Images and the Construction of Masculinity in Literature of the New Era(1976—1989)

作　　者：刘传霞[1] 

机构地区：[1]济南大学文学院,山东济南250022

出　　处：《海南师范大学学报（社会科学版）》2017年第5期1-6,共6页Journal of Hainan Normal University(Social Sciences)

基　　金：教育部人文社科项目"中国当代文学男性再现研究"(项目编号:13YZA751025)

摘　　要："文革"结束后的新时期,国家、民族、个人都需要创立新的主体形象来与过去告别、向外界宣示。性别意识是自我意识的一部分,经历自我、个人被极端压抑和剥夺的"文革"时代之后,当代中国人凭借现代化意识形态的召唤与庇护,开始重建自我形象和性别主体,并且男性性别主体建构占据了主导性地位。通过男性形象再现来重塑、再造当代男性气质成为新时期文学的重要内容。随着社会政治、经济、文化等变化,新时期男性气质内涵以及主导性男性气质的承载者也在发生变化。与1950-1970年代相比,新时期文学所建构的男性气质呈现出多元化趋向。In the new period after the end of the ＂Cultural Revolution＂,the state,nation and individuals all need to create a new subject image to bid farewell to the past and declare to the outside world. Gender consciousness is a part of self-consciousness,and after the ＂Cultural Revolution＂during which the self and individuals were extremely depressed and deprived,modern Chinese people have commenced reconstructing their self-image and gender subject by virtue of the call and shelter of modern ideology,with the male gender subject construction taking a dominant position. The remolding and reconstruction of contemporary masculinity through the representation of the male image has become an essential content of literature in the new era,for with changes in society,politics,economy and culture,masculinity and its dominant carrier have also seen changes in the era. Compared with the 1950 s and 1970 s,masculinity represented in literature of the new era is somewhat diversified.

关 键 词：新时期文学 男性形象 男性气质 

分 类 号：I206.7[文学—中国文学]