文学作品结构的核心——论英加登文学四层次理论之再现客体层  

Core of the Structure of Literary Work of Art——On the Stratum of Represented Objects of Ingarden's Literature Four Strata Theory

作　　者：杜锋[1] 

机构地区：[1]安徽理工大学外国语学院,安徽淮南232001

出　　处：《安徽理工大学学报（社会科学版）》2017年第5期70-73,共4页Journal of Anhui University of Science and Technology:Social Science

基　　金：安徽高校优秀中青年骨干人才国内外访学研修重点项目(gxfx ZD2016086)

摘　　要：罗曼·英加登是现象学文学理论的开创者,他的《论文学艺术作品》把文学艺术作品划分为既相互联系又彼此独立的四个层次,是文艺理论的一大突破。对其核心层——再现客体层的内涵、再现空间和空间的不定点、再现时间及时间的维度等进行深入细致的分析,探讨再现客体层的内涵和外延,明确其在文学作品结构中的核心地位。As the inaugurator of phenomenology literature, Roman Ingarden put forward four strata theory of liter-ary works in his The Literary Work of Art. He thought the stratum of represented objects is the core stratum of lit-erary works. This paper will focus on the perspectives of represented space, the spots of indeterminacy, repre-sented time and time perspectives, etc. to explore the connotation and extended meaning of it and establish the importance of the stratum of represented objects.

关 键 词：再现客体 再现空间 再现时间 不定点 时间维度 

分 类 号：I106.4[文学—世界文学]