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作 者:光映炯[1]
机构地区:[1]云南大学工商管理与旅游管理学院
出 处:《广西民族研究》2017年第5期114-121,共8页GUANGXI ETHNIC STUDIES
基 金:2012年国家社科基金西部项目"滇川地区东巴文化的旅游展演及活态保护机制研究"(12XMZ068)
摘 要:"旅游展演"是旅游人类学中新近产生的一种理论视域。通过对旅游展演多维视野的研究现状及梳理提炼出"行为—文化—场域"三层立体的阐释路径。基于此,旅游展演是旅游目的地通过特定的时空舞台为游客观察、观赏和体验"异文化"而建构、实施的一种展演实践。其本质既是一种审美行为,也是一种记忆、体验和交流的社会文化行为,体现出人与地、人与人、人与文化、人与社会、人与历史等多维关系的互动。旅游展演是旅游场域的外化和具体化,展演时空的建构反映出多元资本形式与权力关系之间的内在博弈过程,展演实践的影响则最终体现为从正、负两种向度形成了复杂、深远的多重社会文化效应。Tourism Performance is a new theoretical field in the Anthropology of Tourism. Based on the review of multi-dimensional research of Tourism Performance, the article proposes the three - level interpretation paths of "behavior-culture-field" .Tourism Performance is a performance for the tourists to observe and experience "different cultures" through specific space and time stages, which is constructed and completed by the tourist destination. Its essence is the social-cultural be- havior including aesthetic behavior, memory, experience, and communication. And it reflects the multi-dimensional interactive relationships like human being and nature, human and human, human and culture, human and society, human and the history and so on. Tourism performance is the ex- ternalization and reification of tourism field. The construction of time and space reflects the inner game process of the multiple capitals and power relationships. Finally, performance practice is em- bodied in complex and profound social-cultural effects both in positive and negative aspects.
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