古巴移民文学和古巴裔美国文学中的流亡主题:源流和嬗变  

Exile Motif in Cuban Immigrant Literature and Cuban-American Literature:Origin and Evolution

作　　者：苏永刚[1] 李保杰[1] SU Yong-gang;LI Bao-jie(School of Foreign Languages and Literature, Shandong University, Jinan 250100, P. R. China)

机构地区：[1]山东大学外国语学院

出　　处：《山东大学学报（哲学社会科学版）》2017年第6期147-156,共10页Journal of Shandong University(Philosophy and Social Sciences)

基　　金：国家社科基金项目"当代西语裔美国文学研究"(12BWW048)

摘　　要：流亡主题是旅美古巴移民文学和古巴裔美国文学中的重要主题,这类流亡文学发端于二十世纪六十年代,流亡作家的书写以政治诉求为主要目的。到八九十年代,第二代移民作家将流亡主题和个人成长结合起来,通过生命书写建构历史的"真实",成为古巴裔美国文学的主流。同时,古巴裔作家也开始从不同的角度对流亡主题进行重写,对流亡经历和书写的真实性进行了解构,表明在"流亡者"身份以外,古巴裔美国人还可以有不同的身份构建方式。The exile motif is significant in Cuban immigrant literature and Cuban-American literature,which was initiated in the 1960 s when Cuban exile writers wrote to express political pursuit.In the period of 1980 s to 1990 s,the second generation of Cuban immigrant writers combined exile motif and personal growth in the dominant Cuban-American literary framework of life writing,with an aim to construct historical＂reality＂.Cuban-American writers rewrite the exile motif from diverse perspectives to deconstruct exile experience and the authenticity of writing,indicating alternative Cuban-American identities other than those of the Cuban exile.

关 键 词：古巴流亡者 流亡文学 古巴移民文学 古巴裔美国文学 

分 类 号：I712.06[文学—其他各国文学]