王世贞与唐宋派关系新辨  

A New Study of the Relationship between Wang Shizhen and Tang-Song Group

作　　者：薛欣欣 朱丽霞[1] 

机构地区：[1]上海交通大学人文学院,上海200240

出　　处：《苏州大学学报（哲学社会科学版）》2017年第5期153-158,共6页Journal of Soochow University(Philosophy & Social Science Edition)

基　　金：国家社会科学基金重大项目"<王世贞全集>整理与研究"(项目编号:12&ZD159)的阶段性成果

摘　　要：明代文坛中,复古派前后七子与唐宋派之间的论辩一直是学界的热点研究话题,其中王世贞与唐宋派的互动关系尤为微妙。就王世贞个人而言,由于早年受到李攀龙宗派意识以及父难之祸的影响,他对唐宋派抱有较为鲜明的批判态度;晚年又因自身文学思想的成熟以及归有光的介入,体现出对唐宋派的宽容。就文学宗派的发展而言,唐宋派最初宗法前七子,发生理论转向后才与后七子分庭抗礼。故而王世贞与唐宋派关系的变化历程,既反映出个人遭际在文学史书写中的偶然性,又折射出文学集团内部对于新思潮从探索到吸纳的必然性。In the literature circles of Ming dynasty,the debate between Seven Poets and Tang-Song Group has always been a hot topic in academic community,among which the interaction between Wang Shizhen and TangSong Group was especially subtle.As for Wang Shizhen himself,he took a critical attitude to Tang-Song Group under the influence of sectarian consciousness advocated by Li Panlong and his father’s victimization.While in his old age,he converted his attitude to tolerant this group with the maturity of his own literary thought and the intervention of Gui Youguang.As for the development of literary school,Tang-Song Group followed the former seven scholars at first,while stood against the latter seven scholars after the theoretical transformation.Therefore,the changing process of Wang Shizhen’s attitude towards Tang-Song Group both reflects the fortuity of personal encounter in historical writing and the inevitability of the assimilation of new thoughts throughout the exploration inside the literature group.

关 键 词：王世贞 唐宋派 个人遭际 历史书写 

分 类 号：I207.22[文学—中国文学]