宋代无名氏词中的孤调及其词史意义  

Exclusive Tune Patterns in the Ci Poems by Anonymous Poets in Song Dynasty and Their Significance in the History of Ci Poetry

作　　者：刘尊明 LIU Zun-ming

机构地区：[1]深圳大学人文学院

出　　处：《南京师大学报（社会科学版）》2017年第6期120-128,共9页Journal of Nanjing Normal University(Social Science Edition)

基　　金：国家社科基金项目"以词调为中心的唐宋词体与词史研究"(12BZW035)阶段成果

摘　　要：宋代无名氏词中的孤调,主要有三种类型:采自民间的新声之调;赋咏本调的创始之调;歌舞相兼的歌舞剧曲。这些孤调的形成,既跟宫廷大曲与杂曲的局限性有关,也受到民间词曲艺术水准的限制。宋代无名氏词孤调的词史意义主要表现在两大方面:一是创制了一批形式多样的歌舞剧曲,二是反映了民间词曲创作的活跃状态和本真风貌。The exclusive tune patterns written by anonymous poets in the Song Dynasty can be divided into three categories： the tunes derived from folk songs; newly created ones; those borrowed from singing and dancing performances. The formation of the exclusive tune patterns was influenced by the limitations in daqu 大典 （ literally big suite ） in the court and zaqu 杂曲 （ literally miscellaneous melodies ） and restricted by the artistic quality of folk poems and songs. The historical significance of the exclusive tune pattems in the ci poems by anonymous poets in the Song Dynasty includes the following two aspects： on the one hand, they created a batch of singing and dancing performances in various forms; on the other, they reflected the active creation and true style of folk songs and poems.

关 键 词：宋代 无名氏 词调 孤调 词史意义 

分 类 号：I207.23[文学—中国文学]