二人转活态戏剧与萨满文化大传统的互释——兼谈三重证据和四重证据的活用  

The Mutual Interpretation between the Living Drama of the ErRenZhuan(Comedy Duo in Northeast China)and the Broad Traditions of Shaman Culture:on the Flexible Application of Triple and Quadruple Evidence

作　　者：杨朴[1,2] 

机构地区：[1]吉林师范大学博达学院,吉林四平136000 [2]吉林大学,吉林长春130012

出　　处：《徐州工程学院学报（社会科学版）》2017年第6期1-5,共5页Journal of Xuzhou Institute of Technology：Social Sciences Edition

基　　金：云南省哲学社会科学规划项目"云南城镇化进程中民族文化变迁研究"(YB2012067)

摘　　要：《二人转与萨满研究》是对叶舒宪在大传统中解释小传统和四重证据法新研究范式的具体应用,重点是活用第四重证据和第三重证据的互释、互证与互补。运用远古萨满岩画图像解释二人转活态文化,认为二人转是远古萨满巫术——宗教的当代"遗留物"。又用二人转活态文化丰富远古萨满岩画图像的具体内容,认为萨满表演神话的戏剧方式是萨满模仿神的"二神转",基本方式是跳进跳出和半进半不进等。二人转活态文化是存在的,远古萨满岩画图像即文化大传统也是存在的,今天之所以能够使二人转这种活态文化在远古萨满那里得到"认祖归宗"的认识,其原因就在于对新范式的实际应用。The Study of Comedy Duo and Shamanism is a practical application of YE Shu-xian＇s new research paradigm with quadruple evidence to interprete the specific traditions in a broad context,especially focusing on the mutual interpretation, identification and comlimentation of the Triple and Quadruple evi- dences. It is believed that the Comedy Duo is the contemporary relic of ancient shamanistic sorcery through the interpretation of the ancient shaman rock paintings , and the living culture of the Comedy Duo in turn visualizes the paintings, which are thought to be the imitation of couple gods, jumping in and out or half in and half out. Therefore,the living culture of the Comedy Duo exists,so does the Shaman rock paintings. The reason why the Comedy Duo can be traced back to the Shaman culture lies in the practical application of the new research paradigm.

关 键 词：二人转 萨满岩画图像 原型编码 大小传统 行新范式 

分 类 号：G122[文化科学]