从电视戏曲制作、传播角度看“京剧音配像”  

On "Sound with Image of Peking Opera" from the Perspective of the Production and Spread of TV Opera

作　　者：杨玉[1] 

机构地区：[1]中国传媒大学艺术研究院,北京100024

出　　处：《吉林艺术学院学报》2017年第1期34-40,共7页Journal of Jilin University of Arts

基　　金：谢柏梁教授担任首席专家的国家社会科学基金艺术学重大项目<戏曲艺术当代发展路径研究>(2014ZD01)的子项目<戏曲电视频道发展路径研究>阶段性成果之一

摘　　要："京剧音配像"是依托现代音像手段,通过专场录像形式记录戏曲剧目的一种特殊形式。就电视戏曲制作而言,富于探索精神的录像手段为戏曲剧目的电视制作提供了方式和范本。从电视戏曲传播的角度来说,作为接受对象的电视观众通过《中国京剧音配像精粹》栏目欣赏到了大量京剧传统剧目,尤其是戏迷票友获得了最规范的学戏样本,从而扩大了京剧传承的民间根基。"京剧像音像"延续了"京剧音配像"对电视手段记录戏曲剧目的探索。＂Sound with Image of Peking Opera＂ is a special form of recording opera by means of special video recording with modern audio and video tools. As far as the product ion of TV opera is concerned, the video recording method which is full of exploration spirit provides the way and model for TV production of opera repertoire. From the perspective of the spread of TV opera, the audience as the reception object appreciate a great number of tradional Peking Operas through the column ＂Sound with Image of Peking Opera Essence＂, especially the fans and amateurs obtain the standard sample for learning, thus expanding the folk opera heritage foundation. ＂Image, Sound and Image＂ continues the exploration of recording drama with TV means by ＂Sound wi t h I mage＂.

关 键 词：京剧音配像 专场录像 电视戏曲 剧目传播 

分 类 号：G210[文化科学—新闻学]