权力争夺与空间呈现——《雪国列车》和《釜山行》中“火车”的叙事作用  

Power Contention and Space Expression:The Narrative Function of "Train" Image in Snowpiercer and Train to Busan

作　　者：林萌[1] 胡子希[2] 

机构地区：[1]北京师范大学文学院,北京100875 [2]吉林艺术学院,吉林长春130021

出　　处：《吉林艺术学院学报》2017年第4期59-63,共5页Journal of Jilin University of Arts

摘　　要：这几年相继上映的韩国电影《雪国列车》和《釜山行》都将末日故事放在了火车上予以展示,取得了巨大成功。极具隐喻意味的末日叙事借助"火车"这一特殊意象空间,既揭示了现代社会诸多症候,又兼具审美与反思的向度。"火车"在此摆脱了一般电影中被符号化的类同能指而生产出了深刻的内涵。本文从两部电影中"火车"所具有的叙事功能入手,对影像表达中的空间、权力与主体的关系进行分析。South Korea’s movies Snowpiercer and Train to Busan came out one after another in these years. They happened to coincide to put the doomsday stories on the train and succeeded. The very metaphorical doomsday narrative not only reveals many symptoms of modern society, but also has the aesthetic and the reflection directions with the special image ＂train＂ which has got rid of the same signifier in general films and produced profound connotation. In this paper, the relationship between space, power and subject will be analyzed from the perspective of narrative function.

关 键 词：火车意象 末日叙事 权力 空间 

分 类 号：J905[艺术—电影电视艺术]