勒克莱齐奥写作中的文化身份建构  

Construction of Cultural Identity in Le Clézio's Literary Works

作　　者：刘成富 

机构地区：[1]浙江越秀外国语学院西方语言学院,浙江绍兴312000 [2]南京大学外国语学院,江苏南京210023

出　　处：《陕西师范大学学报（哲学社会科学版）》2017年第6期124-127,共4页Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社会科学基金项目"文化身份与现当代法国文学"(09BWW023)

摘　　要：文化身份问题在当代法国作家勒克莱齐奥的笔下具有十分重要的意义。从这一研究视角出发,特别是对《沙漠》《奥尼恰》《金鱼》等小说进行深入的研究和分析之后,不仅能够揭示"逃离"和"回归"等重要主题背后的深刻含义,而且能够凸显作家本人重要的思想倾向和文化心态。白人的面孔,黑人的灵魂,堪称勒克莱齐奥内心世界的真实写照。数十年来,作家用手中的笔不遗余力地构建着自己的文化身份。The problem of cultural identity is very significant in the literary creation of Le Clézio,contemporary French writer. From this perspective,especially by research and analysis on his Desert,Onitsha,Fish of Gold,we can not only reveal the real meaning of themes such as＂escape＂and ＂return＂,but also,highlight his important thought tendency and cultural mentality. The face of a White,the soul of a Black,can be a true portrayal of Le Clézio inner world. Since several decades,our writer uses his pen to build with an all-out effort his own cultural identity.

关 键 词：勒克莱齐奥 文化身份 创作倾向 文化心态 

分 类 号：I565.074[文学—其他各国文学]