黄粱梦诗歌的悲慨之美  

Aesthetics of Grief and Indignation in Huang Liang Meng Poetry

作　　者：刘振英[1,2] 

机构地区：[1]天津师范大学文学院,天津300387 [2]邯郸学院文史学院,邯郸056005

出　　处：《河北大学学报（哲学社会科学版）》2017年第6期24-30,共7页Journal of Hebei University(Philosophy and Social Science)

基　　金：2014年度河北省社会科学发展课题"先秦赵氏梦文化研究"(2014030503)

摘　　要：悲慨是中国诗学里较为古老的一个理论范畴,它是一种以人的强烈内心情感为内核的美学结构,在这个美学结构里有梦幻的憧憬、有向死而生的精神,这种美学结构根植于人的情感世界,具有净化心灵的感染作用。黄粱梦诗歌的美学结构包括对人生演历的虚幻营造、对现实人生的非现实的不同层次补偿、梦觉时的深刻洞察三部分,这种美学结构表现为一种绝色之美、充实之美、悲壮之美,其美的特质是虚无、空旷、阔大。黄粱梦诗歌悲慨美学特质孕育于朝代变革或更替的独特社会土壤,人生的重大挫折和失败是悲慨要表现的主要内容,诗人超众拔群的才能和人生素养是悲慨美学特质产生的重要条件。Grief and indignation is a more ancient theoretical category in Chinese poetics.It is an aesthetic structure taking the strong inner emotion as the kernel,where there is dreamlike longing,the spirit of being towards death,This aesthetic structane is rooted in people's emotional world,and has the effect of purifying the soal.The aesthetic features of Huang Liang meng poetry include illusory creation of the human life,the different levels of wareal compen sation for the real life,and the insights when people wake up.The aesthetic structure shows a stunning beauty,beauty of fullness,beauty of moving and tragic,And its aesthetic features are nothingness,emptiness and expansion.The aesthetic features of grief and indignation in Huang Liang poetry are rooted the unique social soil of dynastic change or replacement,major life setbacks and failures are the main contents of grief and indignation to express,and the outstanding ability and life accomplishment of the poets are the important conditions for the aesthetic features of grief and indignation to form.

关 键 词：悲慨 美学结构 美的特质 形成条件 

分 类 号：I206.2[文学—中国文学]