动画电影的多模态话语构建——以《大圣归来》为例  

Multimodal Discourse Construction of Animation Movies——Taking “Monkey King:Hero Is Back” as an Example

作　　者：姜艳艳[1] 李登桥 

机构地区：[1]聊城大学,山东聊城252059

出　　处：《吉林艺术学院学报》2017年第5期46-51,共6页Journal of Jilin University of Arts

基　　金：教育部人文社会科学研究规划基金项目(13YJA740024)阶段性研究成果

摘　　要：动画电影集语言、文字、声音、光影、色彩、空间布局等符号系统于一身,是典型的动态多模态语篇。在视觉语法的理论框架下,对个案《西游记之大圣归来》进行分析,探究该影片如何通过语言、颜色、画面布局、拍摄视角、聚焦等构建多模态语篇,吸引观众兴趣,有效传达影片意义。通过个案分析不仅从理论上验证了运用视觉语法分析动态多模态语篇的可行性,也为观众赏析动画电影提供了新的视角。The animated movie is a typical dynamic multi-modal discourse in which a set of symbolic systems such as language,text,sound,light and shade,color and spatial layout are all included.Under the theoretical framework of visual grammar,this article analyzes ＂Monkey King： Hero Is Back＂ and explores how the movies build multimodal discourse through language,color,screen layout,shooting perspective and focusing to attract audience interest and effectiveness,in order to convey the meanings of the movies.The case study not only validates the feasibility of visual grammar in analyzing dynamic multimodal discourse,but also provides a new perspective for the audience to appreciate animation movies.

关 键 词：多模态 动画电影 视觉语法 

分 类 号：J954[艺术—电影电视艺术]