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作 者:郭晨光
机构地区:[1]北京师范大学继续教育与教师培训学院,北京100875
出 处:《海南大学学报(人文社会科学版)》2017年第6期100-107,共8页Journal of Hainan University (Humanities & Social Sciences)
基 金:博士后基金特别资助(20177/00044);面上基金一等资助(2016M590056)
摘 要:古意诗兴盛于齐梁。"古意"不仅指题材内容的古人古事,也指诗歌形式、体制上仿效汉魏古诗和乐府。古意诗来源于庶族文人陶渊明、鲍照《拟古》之作,是其在齐梁的新发展。古意诗常用作乐府体,即古意乐府诗,并不严格遵循、勾连古题、古辞。其与咏史诗来源于古人怀古的心理和史学的发达,相对咏史多使用事典,古意诗多援引集部抒情性、形象性的语典,使其具备含蓄蕴藉的审美效果。Classical Chinese poems with antique taste flourished in the Qi and Liang Period. Antique taste refers to not only the ancient people and things in the topics, but the form and genre imitation of ancient poems and Yuefu poems in the Han-Wei Period as well. Poems with antique taste are rooted in the works of The Imitation of the Ancient Poems made by the commoner literati Tao Yuanming and Bao Zhao, and gain their new development in the Qi and Liang Period. They often feature the genre of Yuefu, namely Yuefu poems with antique taste, which do not follow and relate to the ancient topics or dictions strictly. Contrasted with the poems intoning the history out of the nostalgia of the ancient and the prosperity of history, poems with antique taste tend to use anecdotes, frequently invoking lyric and visual quotations in the literary collections while endowed with implicit and temperate aesthetic effects.
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