细节政治:夏衍和左翼文艺的美学建构  

Detail Politics: Xia Yan and the Aesthetics Construction of the Left-wing Art

作　　者：梁燕丽[1] 

机构地区：[1]复旦大学中文系

出　　处：《社会科学》2017年第12期179-185,共7页Journal of Social Sciences

摘　　要：透过布尔迪亚的"场域观",重新审视夏衍参与和组织的上海左翼文艺运动,特别是电影和戏剧运动,如何在历史场域、政治场域和文艺场域的立体结构之中,以各种文艺团体活动和优秀的创作实绩,形成左翼文艺策略性的美学位置,甚至建立起专属的美学空间。进一步追问的是,夏衍如何在左翼文艺政策的指导和规训下,在战斗文艺和国族论述的诉求下,找到一种政治话语与美学自觉的平衡点,以夏衍式的细节政治美学,参与建构左翼文艺的美学传统。Through the ＂field view＂ of Pierre Bourdia, we re--examine the Shanghai left -- wing literary and artistic movement, especially the film and drama movement, how to form a left --wing literary and artistic aesthetics position and even establish a unique aesthetic space in the three--dimensional structure of the historical field, the political field and the literary field, with various literary and artistic group activities and excellent creative performance. Further questio- ning is whether Xia Yan, under the guidance and discipline of the left--wing literary policy, to find a balance between political discourse and aesthetic consciousness in the battle literature and national discourse, and with the Xia Yan ＇s Detail politics, to participate in the construction of the aesthetic tradition of left -- wing literature and art.

关 键 词：左翼文艺 夏衍 细节政治 美学建构 

分 类 号：I206.6[文学—中国文学]