管虎电影《斗牛》《杀生》的狂欢化解读  

Carnival Interpretation of the Movies Bulldog and Kill by Guan Hu

作　　者：严立勇 

机构地区：[1]宁夏大学人文学院,宁夏银川750021

出　　处：《民族艺林》2017年第1期128-133,共6页Journal of Ethnic Art

摘　　要：作为中国第六代导演的"怪才",电影《斗牛》《杀生》为管虎贴上了强烈的个人标签,展现了独特的"管式幽默"。管虎导演的《斗牛》与《杀生》充斥着强烈的狂欢色彩,影片中的人物总是一个独特的存在,往往游离于主流社会之外。在那里粗话俚语已经成了一种习惯,正如巴赫金所说的那样打破了种种言语的禁忌、限制和客套。文章将从语言、人物形象、场景等方面对管虎导演的《杀生》和《斗牛》进行狂欢化解读。As the sixth generation of the Chinese director of the “geeks” , the movies Bulldog and 运illposted a strong personal label for Guan Hu, showing a unique Guanish humor. The movies Bulldog and Filldirected by Guan Hu are full of intense carnival colors, the characters in the film always bear a unique exis-tence, free from the mainstream society. In the film, foul language has become a habit, just as what Bakhtinsaid, it has broken the various taboos of language, restrictions and courtesy. The article will takea carnivaliza-tion interpretation for the movies Bulldog and Kill produced by Guan Hu from the perspective of language,characters, scenes and other aspects.

关 键 词：狂欢化 风格化 粗鄙化 升格 管虎 

分 类 号：J905[艺术—电影电视艺术]