从儒家美学思想视角看岳州窑陪葬俑的造型特色  

Molding Features of Burial Figures from Yuezhou Kiln:A Review from Confucianist Aesthetics

作　　者：岳阳 廖婧唯 

机构地区：[1]湖南理工学院,湖南岳阳410076

出　　处：《中国陶瓷工业》2017年第5期51-53,共3页China Ceramic Industry

基　　金：湖南省教育厅科学研究重点项目(16A090)

摘　　要：作为20世纪湖湘地区的新发现之一,又拥有"四最"之称的岳州窑,无疑是中国传统文化的瑰宝。从出土的文物看,岳州窑大都以青瓷为主,其品种可大致分为日用器皿与形象各异的陪葬俑,如胡人俑、乐舞俑、武士俑、家畜俑等。本文将基于作为中国传统文化根基的儒家美学思想的视角,赏析岳州窑文化中陪葬俑的造型特色之美。As a new discovery from Huxiang area in the 20 th centure,Yuezhou ware,one of the four oldest types of antique wares,is undoubtedly the treasure of Chinese traditional culture.Of all the unearthed artifacts from Yuezhou Kiln,a large majority are celadon wares which can be roughly categorized into household vessels and burial figures,including those of Hu people,dancers and singers,warriors and domestic animals.This paper discusses the beauty of form reflected by Yuezhou burial figures from the Confucianist aesthetics.

关 键 词：岳州窑 陪葬俑 造型 儒家美学思想 

分 类 号：J527[艺术—艺术设计]