中国近代“戏剧”概念的建构(下)  

The Construction of the Modern Chinese Concept of "Drama"(Part Two)

作　　者：夏晓虹[1] 

机构地区：[1]北京大学中文系

出　　处：《戏剧艺术》2017年第6期4-14,共11页Theatre Arts

摘　　要：近代西方(包括借途日本)戏剧观念与演出形式传入中国后,"drama"如何与中国本土的传统语汇相调和,生成新的概念体系,具有了现代意涵,是本文关注的重点、所谓"近代",在这里指的是晚清至五四,具体为1820-1920年代。而西方"drama"的中国化是一个相当复杂的过程,涉及西学输入、文类重构、戏剧/戏曲改良、新剧出现、关于旧戏的评价等诸多问题。本文将主要以此一时段报刊论文的阐述、文艺栏目的分类、百科辞书的条目、文学史著的界定以及重大的文学论争这些构成近代语境的基础史料为依据,以求尽可能贴近地呈现历史展开的脉络与细节。The introduction of the modern western idea of ＂drama＂ and its performative conventions into China （partially through the influence of Japan） clashed and combined with indigenous Chinese theatric tradition bringing forth a new conceptual system of Chinese drama with modern implications. The terms ＂early modern＂ in this paper refers to the century-long period from around 1820 to roughly 1920, covering the late Qing Dynasty to the May Fourth period. The process of Sinicizing western drama went through a complicated journey, interacting with the import of western learning, the reconstruction of genres, the reform of Xiqu, the creation of new plays and the criticism of old operas etc. This research used related articles as well as artistic and literary classifications in the news media, encych）pedia entries, definitions in literary histories, and important literary debates of the time. Through a careful examination of the basic historical materials that constructed modern context of the process, this article intends to display as close as possible the historical development in detail.

关 键 词：DRAMA 戏剧 戏曲 新剧 旧剧 

分 类 号：J80[艺术—戏剧戏曲]