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机构地区:[1]扬州大学美术与设计学院,江苏扬州225009 [2]扬州市职业大学纺织服装学院,江苏扬州225009 [3]卫芳大师刺绣工作室,江苏扬州225009
出 处:《丝绸》2017年第12期67-72,共6页Journal of Silk
基 金:江苏省高校哲学社会科学研究一般项目(2016SJD760071);扬州大学校级科研项目(xjj2014-78)
摘 要:扬州刺绣作为刺绣针法技艺的物质载体,同时也是研究刺绣针法技艺的重要实物佐证。在对扬州刺绣研究所、扬州工艺美术馆及扬州刺绣大师工作室收藏、展示、售卖的刺绣实物进行观测、统计与分析的基础上,重点研究了其中各类别的套针。同时结合相关理论知识,对套针中的单套针、双套针、散套针和写意散套针进行比较研究,探求它们在运针方式中的区别与联系,并进一步比较了四种套针针法的表现效果。该研究对于保护和传承扬州刺绣非物质文化遗产具有一定的现实意义,也对现代服饰品等设计中的刺绣装饰手法具有一定参考价值。Yangzhou embroidery,as the material carrier of embroidery stitch skills,is also an important material object corroboration to study embroidery stitch skills. Based on observation and statistical analysis of Yangzhou Embroidery Research Institute,Yangzhou Arts and Crafts Gallery and the embroidery objects collected,displayed and sold in Yangzhou master's studio,this paper deals chiefly with different kinds of inlaying stitches in the embroidery works. At the same time,combined with relevant theoretical knowledge,this paper compares different kinds of inlaying stitches to find their differences and relations in the way of operation,further analyzes and compares of the performance results of four kinds of stitches( single inlaying stitch,double inlaying stitch,dispersed inlaying stitch and freehand dispersed inlaying stitch). The research has certain realistic meaning for protecting and inheriting Yangzhou embroidery non-material cultural heritage. It also has certain reference value to the embroidery adornment gimmick in modern clothing design.
分 类 号:TS941.11[轻工技术与工程—服装设计与工程] J523.6[艺术—艺术设计]
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