山经海纬,诗性世界--论杨牧《奇莱书》的诗性写作  

A World of Poetry with Mountains as Its Longitude and Oceans as Its Latitude: On the Poetic Writing of Chilai Books by Yang Mu

作　　者：郭垚 

机构地区：[1]复旦大学

出　　处：《华文文学》2017年第6期99-108,共10页Literatures in Chinese

摘　　要：杨牧是台湾著名诗人,同时也是散文家。多年的诗歌散文双向创作实践使得他的写作具有"诗文互表"的跨文体写作特征。本文以《奇莱书》(包括《奇莱前书》与《奇莱后书》)的写作为例,试图探讨杨牧如何在散文书写中构筑自己的诗性世界,并通过"诗文互表"凸现自己一直以来的写作观念和人生态度。在《奇莱书》中,他不仅完成了一般自传散文回忆经历,讲述成长的应有之意,更采用诗意的手法构建了一个诗性的世界。诗性世界的具体体现为二:其一是继承了古典诗歌的物的传统,并在此基础上有所创新,将草木虫鱼鸟兽的意象提炼得更为蕴藉深远。其二是以山、海为坐标,将时间性和空间性形象化。可以说,诗性世界的构建是杨牧将诗与散文巧妙融合的表现,这一手法使他的散文别具一格。Yang Mu is a well-known Taiwan Residents poet and essayist whose creative practice writing poems and essays over the years has characterized his trans-genre writing with the double expression by way of poetry and prose. Based on his Chilai Books （including Chilai Pre-book and Chilai Post-book）, this article is an attempt to explore how Yang Mu constructs his poetic world in the writing of his essays and how he highlights his attitude as a writer and his attitude towards life through double expression by way of poetry and prose. In his Chilai Books, he not only has completed the recount of his own exper ience through autobiographical essays, telling of the meaning of his growing up, but he has also constructed a poetic world with poetic methods, the poetic world reflecting the fact that it has inherited the ancient poetic tradition of things and has created something new in making the refining of the images of grass, trees, insects, fish, birds and animals more temperate a nd profound and also the fact that it has provided mountains and oceans as a coordinate by casting time and space in images. It thus can be said that the construction of a poetic world is Yang Mu＇ s way of representation in cleverly combining poetry with prose that makes his essays unique.

关 键 词：诗性写作 杨牧 散文创作 

分 类 号：I207.6[文学—中国文学]