贵州苗族民歌的“传统”与“现代”——以松桃学堂乐歌为例  

The "Tradition" and "Modern" of Guizhou Miao Folk Songs:In the Modern Songtao School Music

作　　者：李晶[1] 耿传明[1] 

机构地区：[1]南开大学,天津300192

出　　处：《贵州民族研究》2017年第11期117-120,共4页Guizhou Ethnic Studies

基　　金：教育部2013年度社科项目"清末民初文学嬗变中的代际关系与文化转型"(13YJA751014)

摘　　要：清末民初是"传统"与"现代"的过渡时代,贵州松桃学堂乐歌体现了文化交汇时期少数民族艺术发展的艺术特点。乐歌在歌词主题、歌句形式、声律格式、音乐的曲式和基本表现手段上都展现出了"新旧融合"倾向。这种"新旧融合"是民族文化与世界文明共同作用下产生的文化策略,是民歌承传与发展经历的必然阶段,值得深入研究。The late Qing Dynasty and the early Republic of China is a transitional period between ＂tradition＂ and ＂modern＂. The Songtao school music in Guizhou reflected the artistic characteristics of minority art development in the period of cultural convergence. The style of music and the basic expressways both show the tendency of ＂the old and new fusion＂ in the lyrics theme, and in the form of songs and rhythmic format. This kind of fusion is the cultural strategy produced by the combination of national culture and world civilization, which is the inevitable stage of the inheritance and development of folk songs.

关 键 词：松桃乐歌 传统 现代 民族文化 

分 类 号：J6-4[艺术—音乐]