诗应独步难同调,字岂必工终不俗——茶陵派的诗歌艺术特色与诗学理论体系  

Poems should be Unique without Simulating the Tones of Others;Language should always be Elegant but not Necessarily Exquisite:The Poetic characteristics and the Poetic Theory of the Chaling School

作　　者：司马周[1] 张玉娟[1] 

机构地区：[1]江苏理工学院中文系,江苏常州213001

出　　处：《南京师范大学文学院学报》2017年第4期57-64,共8页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金：国家社科基金项目<明代内阁与文学关系研究>(项目编号:16BZW080);江苏省社会科学基金项目<20世纪茶陵派学术史研究>(项目编号:13ZWC015)

摘　　要：茶陵派在形成和壮大过程中,力图形成诗派的创作特色和诗学理论体系。其诗歌艺术特色主要有:深厚雄浑,思味隽永;法度森严,不逾典则;尽脱凡近,古意独存;天趣溢发,随意所如。其诗学理论体系包括:诗文各体而不相乱;诗必具格亦必主声;诗贵创新而风致自别;健笔雄词,起伏顿挫。形成原因主要有三:台阁末流弊端的深度刺激;台阁文学与山林文学的两难抉择;诗派自身地位确立的迫切需求。During its initial and growing process, the Chaling School had make efforts to form its own po- etic characteristics and its theoretic system of poetry. Its poetic characteristics includes： profound and mean- ingful thinking, rigid and standard regulations, lofty and antique taste, natural and freewheeling style. Its sys- tematic theory of poetry includes： the styles of poem and prose are different and should not be mixed, poems must follow the rules and base on sounds, poems are valued for innovative and unique styles; advocating ro- bust words and powerful rhythms. The reason behind are three causes： the deep stimulation from the corrupted practice of the royal Taige style, the dilemma between royal literature and the recluse literature, the purpose of establishing its own position.

关 键 词：茶陵派 诗歌特色 诗学理论 形成原因 

分 类 号：I207.22[文学—中国文学]