从器物之美论设计形态学中的造物与造形——以广府文化为案例  

On the Creation and form of Design Morphology from the Beauty of Artifacts——A Case Study of Guang Fu Culture

作　　者：邓铨[1] 贺锋林[1] DENG Quan;HE Feng-lin(School of Loose Land,Guangzhou University,Guangzhou,Guangdong 511370,China)

机构地区：[1]广州大学松田学院,广东广州511370

出　　处：《教育教学论坛》2018年第2期94-95,共2页Education And Teaching Forum

摘　　要：从我国的传统器物至今的现代器物的产生和发展过程都昭示着器物的美随着社会的变迁、文化的更替、科技的转变而发生着内部结构、材质等的改变。器物之美也因此而随着设计形态的造物与造形的改变而发生改变。本文就从器物之美论设计形态学中的造物与造形的重要性中的造物与造形的区别、怎样造型与怎么造形、设计形态学艺术、设计形态学中的造物与造形等四个方面进行了详细的探讨与阐述,并以广府文化为案例,说明了这样的器物之美所呈现出的设计形态学的重要地位。From the Chinese traditional utensil has modern production and development process that implements the beauW of change with the social change,cultural change,science and technology and an internal structure and material change.The beauty of artifacts changes as a result of changes in design,form,and form.In this paper,four aspects of difference,creation and form creation and form from the importance of the beauty of design artifacts in morphology in the creation and how shape modeling and how to form,design art,design morphology in morphology were discussed in detail and elaborated,and Cantonese culture as an example,explains the important the status of such objects design morphology are showing the beauty.

关 键 词：器物之美 设计形态学 造物 造形 广府文化 

分 类 号：G642.0[文化科学—高等教育学]