论苏辛词的白发书写与诗化特征  

Research on the White Hair Writing and Poetic Characteristics of Su Shi's and Xin Qiji's Ci Poems

作　　者：孙宗英[1] SUN Zong-ying(College of the Humanities ,Ningbo University ,Ningbo 315211, China)

机构地区：[1]宁波大学人文学院,浙江宁波315211

出　　处：《华南农业大学学报（社会科学版）》2018年第1期123-133,共11页Journal of South China Agricultural University(Social Science Edition)

基　　金：浙江省哲学社会科学规划后期资助项目(17HQZZ26)

摘　　要：苏辛词中数量丰富的白发书写呈现了二人多层次的生命意识,是其词诗化特征的重要构成因素。书写的具体方式有意象组合、时空剪辑和虚实相生等途径,意象组合以青山、花等象征永恒和生命力的事物为主。稼轩词中白发书写虚笔甚多,有移情、白发人格化、自我形象他者化等技巧。白发书写透露出二人复杂的迟暮心态,对衰老产生的抗争、自怜、接纳等心理。白发书写引入年老创作者的自我形象,词之抒情主体突破了唐五代词以红粉佳人为主的模式,向言志之诗靠拢。二人相较,苏词中白发书写对于词体的开拓是有限度的,辛词则藉此构建了迟暮英雄的个人形象,取代诗成为辛氏襟怀情志的陶写之具。A lot of white hair writing show the multilevel life consciousness of the two people in Su Shi＇s and Xin Qiji＇s works,which is the key component of its poetic characteristics.Firstly,the specific ways of white hair writing include image combination,time-space editing and virtual reality,etc.Image combination is dominated by things such as green mountains and flowers,which symbolize eternity and vitality.In Jia Xuan Ci,there are many virtual descriptions,such as empathy,white-haired personality,self-othering.Secondly,the white hair writing reveals the complex and late-blooming mentality of Su Shi and Xin Qiji,and the struggle,self-pity and acceptance of aging.Lastly,the white hair writing introduces the self-image of the old creator,and the lyrical subject breaks through the mode of the Tang and the Five Dynasties,which is the main mode of depiction beautiful woman,and draws closer to the poem in a realistic way.Comparing the Ci poems of the two people,there is a limit to expansion about function of Ci style in Su Shi＇s works,whereas Xin Qiji builds his heroic personal image of the twilight through the white hair writing in his works,and his Ci has replaced poetry as means of expression about inner feelings.

关 键 词：苏轼 辛弃疾 白发书写 迟暮心态 诗化特征 

分 类 号：I207.23[文学—中国文学]