论古代咏萱诗赋的形象书写及其主题表达  

Image Writing of Ancient Poetry and Prose Related to Hemerocallis Fulva and Its Theme Expression

作　　者：高尚杰[1] 

机构地区：[1]南京师范大学文学院,江苏南京210097

出　　处：《湖北文理学院学报》2017年第12期57-62,共6页Journal of Hubei University of Arts and Science

摘　　要：萱草是中国古代植物审美文化系统中颇具内涵的一类花卉形象,早在《诗经》时代就已出现,并进一步被赋予忘忧的核心主题。萱草在古代文学的书写中具有其独特的审美形象,并成为建立其象征性的基础。随着文化思潮的发展以及文学内部艺术规律的要求,萱草在忘忧的主题之外逐渐形成代母、孝亲的新型象征,并盛极一时,出现了形式内容多样的文学创作现象。萱草被认为的宜男象征则在现实经验、创作演化以及女性形象的转变中逐渐远离了主流话语,但依然属于萱草象征意义系统的一个组成部分。Hemerocallis fulva represents the image of flowers and plants with connotation in the plant aesthetic culture in ancient China,recorded early in The Book of Songs,and it was given symbolic meaning of nepenthe.Boasting its special aesthetic image in ancient literature,hemerocallis fulva became the base of symbolistic poetry gradually.With the development of cultural thoughts and requirements of internal literary artistic rule,hemerocallis fulva began to build such new symbolization beyond nepenthe as godmother and filial piety,and it had been popular for a period,literary creation with various forms and contents consequently emerged.Besides,hemerocallis fulva used to symbolize having boys.However,during the transformation of real experience,creation and female image,such symbolic meaning lost its mainstream discourse little by little,but this kind of meaning is always seen as one of the symbolic meanings of hemerocallis fulva.

关 键 词：萱草 审美形象 象征意义 

分 类 号：TU986.52[建筑科学—城市规划与设计]