从《敦刻尔克》看好莱坞二战战争片的传统与重构  

The Tradition and Reconstruction of Hollywood World War Ⅱ Film in Christopher Nolan's Dunkirk

作　　者：徐枫[1] 

机构地区：[1]中央戏剧学院电影电视系

出　　处：《电影艺术》2017年第6期20-27,共8页Film Art

摘　　要：从取材和形式,二战战争片都是战争片的主流。它受西部片影响,约翰·福特等导演在二战期间的创作奠定了它的基本类型程式。克里斯托弗·诺兰的《敦刻尔克》以悬疑片的方式,重构了二战战争片传统。影片中的焦虑与批评,指向英国脱欧公投等当代语境。他的三重奏叙事,是地点、时间、事件的三多样律和三一律之间的复杂平衡。World War II film is the main type of war film. It is influenced by western, and its principal form was created by filmmakers as John Ford during the World War I1. Christopher Nolan made Dunkirk as a suspense film. It＇s a way to reconstruct the tradition of World War II Film. The film was born in the context of Brexit and expressed some contemporary speeches. His narration balances between ＂Three Multiples＂ and ＂Three Unities＂.

关 键 词：二战战争片 西部片 语境 悬疑片 英国脱欧公投 三多样律 三一律 

分 类 号：J905[艺术—电影电视艺术]