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作 者:孙佳山[1]
出 处:《电影艺术》2017年第6期74-79,共6页Film Art
基 金:北京市社科基金项目"北京网络电影文化研究"(14WYC049)阶段性成果
摘 要:"主旋律"电影经过30年的发展正在发生结构性嬗变,并演进到新一轮"新变"周期。伴随着新一代电影观众登上历史舞台,明星、观众甚至电影的本体概念,都在被具有清晰时代区隔特征的粉丝文化所改写。"主旋律"电影"意外"地成为将新一代年轻电影观众转化为中国电影票房增量的最大文化公约数,重新梳理"主旋律"概念的历史生成、周期特征,及其在不同发展阶段所面临的时代挑战,对于中国电影而言,将有着面向未来的重大历史意义。The box miracle of Wolf Walf Warrors II and 'little fresh meat' controversy of The Founding of An Army are profoundly representative of the structural evolution of main-theme movies in the past 30 years, which has now come into a round of new change. With a new generation of young movie viewers, the concepts of stars, of audience, and even of the movie proper are consequently being rewritten by their distinct epoch-making fan cultures. In addition, main theme movies like Operation Mekong and Wolf Warriors II have turned the new generation of young movie viewers into the max cultural factor of China's box increase, which confirms that an organization of the historical emergence and periodic traits of the main-theme concept and its challenges in different developing phases will be of great historical meaning.
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