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作 者:熊晓辉[1]
机构地区:[1]湖南科技大学,湖南湘潭411201
出 处:《青海民族大学学报(社会科学版)》2017年第4期107-117,共11页Journal of Qinghai Minzu University:Social Sciences
基 金:国家社会科学基金重大项目"中国土司制度史料编纂整理与研究"(项目编号:12&ZD135);国家社会科学基金项目"明代土司政治文化研究"(项目编号:10BMZ011);教育部人文社会科学规划基金项目"明清时期土家族土司音乐文化研究"(项目编号:12YJA760075)的阶段性研究成果
摘 要:土家族土司铜铃舞作为宗教祭祀仪式舞蹈的一种,从一个侧面直接体现了土家族的文化特质。在土司统治时期,铜铃舞可能被看作是土司用来教化土民的工具,但从民间演绎这种舞蹈活动的分析可以发现,铜铃舞是土家族身份认同、民族文化传承的重要手段。明清时期是土家族土司统治兴盛时期,在土司制度下,土家族铜铃舞在表演程序、表演内容、表演语境、叙述方式等方面都保留了浓厚的本民族特色,并带有强烈的祭祀性。宗教祭祀在土家族地区民众精神生活中占有重要地位,铜铃舞几乎伴随着土家族整个历史,这也是土司行政权力所不能代替的。以铜铃舞表演场地为中心的精神空间虚拟性地存在于土家族地区,并且不同程度地拥有其无形的影响,这种行为在祭祀仪式中往往使人容易进入痴迷状态,这就是学者们常说的阈限阶段。铜铃舞是土家族原始宗教文化的一个组成部分,对其之探究,有着极为重要的研究价值。the Tujia toast two dance as a kind of religious fete ceremony dance, from one side directly reflects the culture of tujia people. During the reign of toast, two dance could be seen as a toast of tools used to educate soil, but from the analysis of non-governmental deduce the dance can be found that two dance is the important means of tujia nationality identity, national culture inheritance. During the Ming and qing dynasties is thriving,tujia toast rule under the tusi system, two tujia dance programs, performing the performance content in such aspects as performance, narrative context and retain the characteristics of tujia people, and with a strong sense of sacrifice. Religious ritual in tujia area occupies an important place in the public life of the mind, two dance accompanied by tujia almost the whole of history, it is also a toast, cannot replace administrative power centered on two dance arena in the spirit of the space virtual sex consist in tujia areas, and the influence of different degree has its intangible, this kind of behavior in the sacrificial ceremony often makes people easy to enter a state of obsession, it is often said that the threshold of scholars. Two dance is a part of tujia primitive religion culture, to explore two dance of tujia people, has a very important research value.
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