近年来悬疑电影的类型化、本土化实践和“泛悬疑化”文化症候  

The Practice of Categorization and Localization of Suspense Films and the Cultural Symptom of “Pan-suspense”in Recent Years

作　　者：张立娜[1] 

机构地区：[1]北京大学艺术学院

出　　处：《民族艺术研究》2017年第6期39-46,共8页Ethnic Art Studies

摘　　要：近年来,国产悬疑电影呈良好发展势头,不仅在剧情设置和叙事技巧上取得了突破,票房上也有亮眼表现。悬疑电影有着严谨缜密的叙事逻辑、多元的叙事手段、刺激的视听语言和出人预料的故事结局等鲜明的类型特征;与此同时,"类型+"成为国产悬疑影片类型创作的重要手段,类型融合促进悬疑电影向纵深发展。与国外悬疑电影相比,国产悬疑片多为犯罪悬疑题材,本土化实践过程中深切关注当下中国社会现实,始终保持对人性、生命、社会的反思和拷问。在互联网技术更新发展和媒介融合的大背景下,层出不穷的综艺节目、网剧、网络大电影、电视剧、网游等媒介形式对"悬疑"题材的大量挖掘,使之呈现出"泛悬疑化"的文化症候。In recent years,Chinese suspense films are developing well,which can be seen in not only the breakthrough in plot-setting and narrative techniques but also in the box office. Suspense films are characterized with rigorous narrative logic,multiple narrative methods,stimulating visual and audio language,and unexpected ending. At the same time,＂genre plus（ ＋） ＂has become an important method of creating Chinese suspense films as the integration of genres urges the development of suspense films into depth. Compared with foreign suspense films,Chinese suspense films are usually themed on criminal suspense. These films are deeply concerned with the Chinese social reality in current localization process,as well as the rethinking and questioning of humanity,life and society. In the context of renovation and development of the international technology and the media fusion,a ＂pan-suspense＂symptom is seen in the emerging variety shows,internet shows,internet films,TV series and internet games which all explore the suspense themes.

关 键 词：悬疑电影 类型化 本土化 “泛悬疑化” 

分 类 号：J902[艺术—电影电视艺术]