现代性与本土化的叙事逻辑与戏剧史观——评傅谨《20世纪中国戏剧史》  

Modernity and the Localized Narrative Logic and the Perspective of History: Review of Fu Jin's History of Chinese Theatre in the 20^(th) Century

作　　者：李霞[1,2] 

机构地区：[1]山西传媒学院 [2]山西师范大学

出　　处：《民族艺术研究》2017年第6期148-154,共7页Ethnic Art Studies

摘　　要：《20世纪中国戏剧史》具有严谨的叙事逻辑,它以戏剧本体为核心,立足本土化与现代性两个维度,从政治、艺术与娱乐三个层面,阐释20世纪戏剧发展过程中传统与现代、本土与西化、政治与艺术、城市与民间、演出与市场等问题。《20世纪中国戏剧史》具有自己对戏剧史观的思考和建构,其通过对中国戏剧史观西化、政治化等特点的反思,建立了自己的理论支点,丰富了中国戏剧现当代史理论。The narrative logic of History of Chinese Theatre in the 20 th Century is rigorous. It is based on the entity of theatre and is rooted in two dimensions： localization and modernity. It illustrates issues emerging in the development of theatre in the 20 th century from aspects of political,artistic and entertainment： tradition and modernity,locality and Westernization,politics and arts,city and folk,and performance and market,etc. Thinking and construction of the perspective of history on theatre can be seen in History of Chinese Theatre in the 20 th Century,which builds the theoretical fulcrum and enrich the modern and contemporary historical theory of Chinese theatre through rethinking the characteristics of Westernized and politicized of the perspective of history on Chinese theatre.

关 键 词：《20世纪戏剧史》 傅谨 戏剧史观 西化 本土化 现代性 

分 类 号：J805[艺术—戏剧戏曲]