“画地做场”与中国地方戏曲的发展——以河南地方戏曲为例  

The Relationship between the Temporary Stage and Development of Chinese Local Traditional Operas——A Case Study on the Chinese Traditional Opera in Henan Province

作　　者：孙建杰[1] 

机构地区：[1]河南大学河南地方戏研究所,河南开封475001

出　　处：《信阳师范学院学报（哲学社会科学版）》2018年第1期122-126,共5页Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社科基金艺术学项目(13BB015)

摘　　要："画地做场"是河南地方戏及其他省市地方戏经常采用的一种临时剧场,俗称之为"地摊戏"。它在地上直接铺摊做戏、随处可设、用后即撤,具有经济便利、流动性强等优点,深受戏班和民众欢迎。作为一种临时剧场,它培育、推进了河南地方戏剧种、班社的发展与成熟,并深刻地影响了民众戏曲观念的形成。它的存在,彰显了地方戏曲生存、发展中的民间智慧,体现了民间戏曲的生存之道。The temporary stage,also called "stall opera"(Ditanxi),is often used in the Chinese local traditional operas in Henan and other provinces.As it can be set up and removed quickly in any place,it is featured for its cost-saving,convenience and mobility;the temporary stage is popular among theatrical troupes and people.The temporary stage is a demonstration of the wisdom in the development of the traditional opera in Henan and the survival of folk traditional operas.It contributes to the cultivation and promotion of the traditional opera in Henan leading them to development and perfection,and it is significant to the formation of the concept of folk traditional operas.

关 键 词：画地做场 地摊戏 剧场 地方戏 河南 

分 类 号：J207.42[艺术—美术]